a mourning diary created over 13 nights in a two week residency in Bundanon in September 2025.
method/practice/medium: in the darkest part of the night, select a single stick of incense, a different kind every night. Burn this incense within a glass cloche and periodically release the incense into the studio. Observe the burning until it becomes ash, focusing all your attention on one particular burning all the while. When the incense is turned to ash, lift the glass cloche, remove the ash and set aside. Place a white handkerchief within the cloche and leave it there overnight to be suffused with the scent of the particular incense. In the morning, mix the incense ash with fabric medium and paint onto the handkerchief the day of the ceremony - 1 to 13, for each of the nights while in residence - the initials of the mourned being, and the number of days since the death of the artist's husband. Hang the handkerchief on the wall in a grid representing the calendar of days of mourning.
following the exhibition at Articulate Project Space, private mourning rituals are offered in Alexandria, Sydney – honouring the person, or being, that you are grieving.
suffuesd mourning is a sequence in the larger griefwork and ritual component of the nocturnal kinship: bird to bird arts research project
Burning
Every night, around 1 am, a single stick of incense is burned in the darkest and quietest part of the night. During that burning, I medidate on a unique mourned being (human or non-human) while I watch the incense smoke within a glass dome, periodically releasing it into the air. A different kind of incense is selected for burning each night. I observe the entire stick burning down to ash. Once extinguished, I remove the ash and set it aside, replacing it in the dome with a pristine white handkerchief. The handkerchief is left in the dome overnight to be suffused with the scent of the incense.
Inscribing
In the morning, the handkerchief is released from the dome, and the ash of the particular incense burned is mixed with a fabric medium. Onto the handkerchief I paint the initials of the mourned being, the day of the burning and the number of days since my husband's death. The handkerchief is then hung on the studio wall, day by day, with the fragrances of the different incenses intermingling and fading as the suffusing nightly action continues. The paint made of ash is also used daily to record the specific kind of incense that was burned for each mourned being, forming an olfactory memory link between a specific scent and the mourned being.
Performing
At the end of each week, a ritual performace is conducted wherein a stick of each of the different incenses that had been burned over the previous week is laid out. These are lit in sequence and combined in a brazier. The intermingled incenses, each representing one mourned being, are walked out into the forest along with a poem by my husband, written in chalk upon a piece of bark.
Arraying
Once the 13 handkerchiefs were completed, the work was hung on the barbed wire fence outside the studio, so that the initials could be read in sequence and the fragrances released by the wind.
Staging
Spaces for mourning are created in the Bundanon studio and in the later reconfiguration of the handkerchief sequence when restaged at Articulate Project Space.
Extending
The project continues with an offer to others to undertake the ritual for their own mourned beings. Following the staging of this work in Articulate Project Space, one-on-one sessions are made available to reserve, to be conducted in a private garden setting. The participants will have the opportunity to focus on their own mourned being and paint a handkerchief with ash, which they can then take away for solace.
inscribing