Embedded Files
TB 1 mending, unmending
TB 2 shadow tracing
TB 3, 4 ,5, 6 fence rubbing & stamping, driftwood & windwork
TB 7 painting with plants
TB 8 patching & tearing
TB 10 seawater, sand, gold
TB 11 tide line drawings
TB 12 port jackson fig pressing
TB 13 shadow/fence tracery
TB 14 green weaving
TB 15 graphite, charcoal
TB 16 tideline overdrawing
TB 17 charcoal, seawater, scroll
TB 18 collaborative canvas
TB 19 figs & paper
TB 20 pontoon drawing
tidal boundaries
tidal boundaries
action 7: painting with plants
the seventh in a suite of environmentally responsive actions undertaken at Redleaf beach in Sydney's east over the course of a 4 month residency. A garden drawing to be in relationship with the garden drawings of other artists from The Little Umbrella Collective at the 2024 Woollahra residency.
method/practice/medium: Antique perforated scroll from a player piano, Japanese watercolour pigments, violets from the Blackburn gardens at Redleaf
method/practice/medium: Antique perforated scroll from a player piano, Japanese watercolour pigments, violets from the Blackburn gardens at Redleaf
process/score: Take the shadow drawings on pianola scroll from action 2: shadow tracing. Move the scroll from the beach to the garden and thus respond to not only the beach studio elements but the environment of the Blackburn Gardens.
process/score: Take the shadow drawings on pianola scroll from action 2: shadow tracing. Move the scroll from the beach to the garden and thus respond to not only the beach studio elements but the environment of the Blackburn Gardens.
Thread the violets into the perforations of the scroll and include them in the gold strokes made onto the paper. Overwork the metallic pastel markings from Work 2, overworking the same scroll. Paint in concert with the wind, holding the brush with the metallic pigment and allowing the paper to blow up towards the brush, such that the wind performs the mark making.
Thread the violets into the perforations of the scroll and include them in the gold strokes made onto the paper. Overwork the metallic pastel markings from Work 2, overworking the same scroll. Paint in concert with the wind, holding the brush with the metallic pigment and allowing the paper to blow up towards the brush, such that the wind performs the mark making.
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